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Quote from: Wes Funderburk on Dec 15, 2010, 06:13AMMerry Christmas from me to you:
http://www.youtube.com/watch?v=NKgVPDGisf8
Wes Funderburk
www.Funderbone.com
Interesting, Alan Raph is planning to do the same thing as a bass trumpet solo at the Danbury Brass Band's Christmas Concert (tomorrow night at Emanuel Lutheran Church in Danbury at 7:00PM if anyone wants to go).
Very tastefully done, Wes.
http://www.youtube.com/watch?v=NKgVPDGisf8
Wes Funderburk
www.Funderbone.com
Interesting, Alan Raph is planning to do the same thing as a bass trumpet solo at the Danbury Brass Band's Christmas Concert (tomorrow night at Emanuel Lutheran Church in Danbury at 7:00PM if anyone wants to go).
Very tastefully done, Wes.
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Quote from: John Beers Jr. on Dec 18, 2010, 02:17PMInteresting, Alan Raph is planning to do the same thing as a bass trumpet solo at the Danbury Brass Band's Christmas Concert (tomorrow night at Emanuel Lutheran Church in Danbury at 7:00PM if anyone wants to go).
Very tastefully done, Wes.
Thanks..
Here's another 'play-a-long' Blog Song if anyone is interested..
Sensitivity Training: http://www.youtube.com/watch?v=uQTYG8qzM9w
Wes Funderburk
www.Funderbone.com
Very tastefully done, Wes.
Thanks..
Here's another 'play-a-long' Blog Song if anyone is interested..
Sensitivity Training: http://www.youtube.com/watch?v=uQTYG8qzM9w
Wes Funderburk
www.Funderbone.com
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Very Nice! Thanks for sharing, Wes.
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http://www.youtube.com/watch?v=PLHj-eekdNU&feature=related
That's Dave Taylor playing bassbone there, it looks like, in this performance at Carnegie. Does Mr. Vernon usually not go on the road with the CSO, or did something happen to come up for this particular recording session?
That's Dave Taylor playing bassbone there, it looks like, in this performance at Carnegie. Does Mr. Vernon usually not go on the road with the CSO, or did something happen to come up for this particular recording session?
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Quote from: John Beers Jr. on Dec 24, 2010, 09:03PMhttp://www.youtube.com/watch?v=PLHj-eekdNU&feature=related
That's Dave Taylor playing bassbone there, it looks like, in this performance at Carnegie. Does Mr. Vernon usually not go on the road with the CSO, or did something happen to come up for this particular recording session?
Oh, thats Edward Kleinhammer on Bass Trb.
Before Charlie Vernon.
Leif
That's Dave Taylor playing bassbone there, it looks like, in this performance at Carnegie. Does Mr. Vernon usually not go on the road with the CSO, or did something happen to come up for this particular recording session?
Oh, thats Edward Kleinhammer on Bass Trb.



Leif
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That's just a younger Charlie Vernon. Dave Taylor has never been that shape 
Chris Stearn

Chris Stearn
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Quote from: blast on Dec 25, 2010, 04:42AMThat's just a younger Charlie Vernon. Dave Taylor has never been that shape 
Chris Stearn
Ah ok, I'm just not used to seeing Charlie Vernon with hair. At 4:00 even when they're focused on the bassbone section, he looks quite a bit like the recent Dave Taylor videos I've seen, but I'll take your word for it.

Chris Stearn
Ah ok, I'm just not used to seeing Charlie Vernon with hair. At 4:00 even when they're focused on the bassbone section, he looks quite a bit like the recent Dave Taylor videos I've seen, but I'll take your word for it.
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This one's for you, Graham! (all minus the last note,aka the Eb that wasn't)
http://www.youtube.com/watch?v=YTb7unEisHU
With the wonderful, and shamefully underrated, Fred Vigorito on cornet.
http://www.youtube.com/watch?v=YTb7unEisHU
With the wonderful, and shamefully underrated, Fred Vigorito on cornet.
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Yep, I should have been doing that kind of session right now but some family problems prevented me going to the National Jazz Convention this year. I'm animal sitting at the moment. I did have an outside gig in the beer garden of a hotel lined up for Boxing Day but it was rained off. We're drowning in Queensland right now.
A very brave tempo. It gets harder and harder to generate that kind of excitement the older you get. I'm constantly pushing my guys not to play old men's jazz.
A very brave tempo. It gets harder and harder to generate that kind of excitement the older you get. I'm constantly pushing my guys not to play old men's jazz.
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Quote from: griffinben on Dec 27, 2010, 05:36PMThis one's for you, Graham! (all minus the last note,aka the Eb that wasn't)
http://www.youtube.com/watch?v=YTb7unEisHU
With the wonderful, and shamefully underrated, Fred Vigorito on cornet.
Quote from: griffinben on Dec 27, 2010, 05:36PMThis one's for you, Graham! (all minus the last note,aka the Eb that wasn't)
http://www.youtube.com/watch?v=YTb7unEisHU
With the wonderful, and shamefully underrated, Fred Vigorito on cornet.
Hey Ben....
You still playing on "Old School"...Conn 24H
http://www.youtube.com/watch?v=YTb7unEisHU
With the wonderful, and shamefully underrated, Fred Vigorito on cornet.
Quote from: griffinben on Dec 27, 2010, 05:36PMThis one's for you, Graham! (all minus the last note,aka the Eb that wasn't)
http://www.youtube.com/watch?v=YTb7unEisHU
With the wonderful, and shamefully underrated, Fred Vigorito on cornet.
Hey Ben....
You still playing on "Old School"...Conn 24H
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Quote from: griffinben on Dec 27, 2010, 05:36PMThis one's for you, Graham! (all minus the last note,aka the Eb that wasn't)
http://www.youtube.com/watch?v=YTb7unEisHU
With the wonderful, and shamefully underrated, Fred Vigorito on cornet.
Damn, Ben. You are putting out some sound!!! Even on the camera sound thing...beautiful!!! Every note, clear as a bell.
And the Eb? Nothin' to it. I whiffed a last note, exposed double G on a Chico O'Farrill band ballad Sunday night. Sailed right on up to it...I get it better than 99 times out of 100...and nothing but air came out. Like I tell my students...the first thing a trombonist needs to do is to learn how to be completely unembarrassable.
See ya somewhere...
Sam
http://www.youtube.com/watch?v=YTb7unEisHU
With the wonderful, and shamefully underrated, Fred Vigorito on cornet.
Damn, Ben. You are putting out some sound!!! Even on the camera sound thing...beautiful!!! Every note, clear as a bell.
And the Eb? Nothin' to it. I whiffed a last note, exposed double G on a Chico O'Farrill band ballad Sunday night. Sailed right on up to it...I get it better than 99 times out of 100...and nothing but air came out. Like I tell my students...the first thing a trombonist needs to do is to learn how to be completely unembarrassable.
See ya somewhere...
Sam
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Sam,
Thanks very much for the kind words...I always cringe at camera sound, and I appreciate you hearing through it! But that's the Shires for you...I may dabble with other horns occasionally, but I always come back to that one. Its got "it".
And yeah, get back on the horse...forget the high Eb...play the next tune, and then nail it there.
Hope to see you soon.
-ben
Thanks very much for the kind words...I always cringe at camera sound, and I appreciate you hearing through it! But that's the Shires for you...I may dabble with other horns occasionally, but I always come back to that one. Its got "it".
And yeah, get back on the horse...forget the high Eb...play the next tune, and then nail it there.
Hope to see you soon.
-ben
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Quote from: griffinben on Dec 28, 2010, 08:51AMSam,
Thanks very much for the kind words...I always cringe at camera sound, and I appreciate you hearing through it! But that's the Shires for you...I may dabble with other horns occasionally, but I always come back to that one. Its got "it".
And yeah, get back on the horse...forget the high Eb...play the next tune, and then nail it there.
Hope to see you soon.
-ben
I didn't even try to guess what horn you were playing. This was a blindfold test of sorts. Double-blind(fold). I didn't know what you were playing and camera mics generally don't know much of anything.
I am never less than amazed at the projection abilities of Shires instruments. I hear my notes off of the back wall of most rooms even when I am playing low ensemble parts at moderate volumes. On all 5 of my Shires horns, each set up to have different timbral characteristics. Dark, bright, heavy, light or anywhere in between...they throw the sound out there. I have not had much experience with the new 7 bells other than playing them at conventions, the factory and at a friend's house, but I'll bet that's the bottom line for them, too.
Play on...
Sam
Thanks very much for the kind words...I always cringe at camera sound, and I appreciate you hearing through it! But that's the Shires for you...I may dabble with other horns occasionally, but I always come back to that one. Its got "it".
And yeah, get back on the horse...forget the high Eb...play the next tune, and then nail it there.
Hope to see you soon.
-ben
I didn't even try to guess what horn you were playing. This was a blindfold test of sorts. Double-blind(fold). I didn't know what you were playing and camera mics generally don't know much of anything.
I am never less than amazed at the projection abilities of Shires instruments. I hear my notes off of the back wall of most rooms even when I am playing low ensemble parts at moderate volumes. On all 5 of my Shires horns, each set up to have different timbral characteristics. Dark, bright, heavy, light or anywhere in between...they throw the sound out there. I have not had much experience with the new 7 bells other than playing them at conventions, the factory and at a friend's house, but I'll bet that's the bottom line for them, too.
Play on...
Sam
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Yeah Ben!
I honestly wasn't intending to sell Ben a horn when he came in that day, really. He came in for an entirely different reason, but this oddball combination just plain worked. Of course, the fact that it's set up almost identically to a classic Conn .485 should come as no surprise. Sounds MUCH bigger than it is, particularly when played by Ben
I honestly wasn't intending to sell Ben a horn when he came in that day, really. He came in for an entirely different reason, but this oddball combination just plain worked. Of course, the fact that it's set up almost identically to a classic Conn .485 should come as no surprise. Sounds MUCH bigger than it is, particularly when played by Ben

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Quote from: Gabe Langfur on Dec 28, 2010, 10:41AMYeah Ben!
I honestly wasn't intending to sell Ben a horn when he came in that day, really. He came in for an entirely different reason, but this oddball combination just plain worked. Of course, the fact that it's set up almost identically to a classic Conn .485 should come as no surprise. Sounds MUCH bigger than it is, particularly when played by Ben
I pinned it. My first take on listening? A great '20s/'30s24H.
S.
I honestly wasn't intending to sell Ben a horn when he came in that day, really. He came in for an entirely different reason, but this oddball combination just plain worked. Of course, the fact that it's set up almost identically to a classic Conn .485 should come as no surprise. Sounds MUCH bigger than it is, particularly when played by Ben

I pinned it. My first take on listening? A great '20s/'30s24H.
S.
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Quote from: griffinben on Dec 28, 2010, 08:51AMSam,
Thanks very much for the kind words...I always cringe at camera sound, and I appreciate you hearing through it! But that's the Shires for you...I may dabble with other horns occasionally, but I always come back to that one. Its got "it".
And yeah, get back on the horse...forget the high Eb...play the next tune, and then nail it there.
Hope to see you soon.
-ben
Ben, it did sound great, and the horn seemed to fill up the room. Bravo
Thanks very much for the kind words...I always cringe at camera sound, and I appreciate you hearing through it! But that's the Shires for you...I may dabble with other horns occasionally, but I always come back to that one. Its got "it".
And yeah, get back on the horse...forget the high Eb...play the next tune, and then nail it there.
Hope to see you soon.
-ben
Ben, it did sound great, and the horn seemed to fill up the room. Bravo
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Quote from: griffinben on Dec 27, 2010, 05:36PMThis one's for you, Graham! (all minus the last note,aka the Eb that wasn't)
http://www.youtube.com/watch?v=YTb7unEisHU
With the wonderful, and shamefully underrated, Fred Vigorito on cornet.
Wish I could play this music. It sounds so fun. And good sound from this camera, or Ben make this camera sound good
Very nice to listen all this musicians. They definitely have fun and the audience too.
Leif
http://www.youtube.com/watch?v=YTb7unEisHU
With the wonderful, and shamefully underrated, Fred Vigorito on cornet.
Wish I could play this music. It sounds so fun. And good sound from this camera, or Ben make this camera sound good

Leif
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Hello you guys! Here´s a video with my band Neighbourhood. The music is a mix of jazz, soul and retro funk. 3 horns and rythm with Rhodes, synths, moog, drum and bass.. I play the trombone and write the music. We released our debut album last spring. Check it out:
http://www.youtube.com/watch?v=UKx9Cee0Btc
Happy new year!
Kristian
http://www.youtube.com/watch?v=UKx9Cee0Btc
Happy new year!
Kristian
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Quote from: Kristian Persson on Dec 30, 2010, 02:33AMHello you guys! Here´s a video with my band Neighbourhood. The music is a mix of jazz, soul and retro funk. 3 horns and rythm with Rhodes, synths, moog, drum and bass.. I play the trombone and write the music. We released our debut album last spring. Check it out:
http://www.youtube.com/watch?v=UKx9Cee0Btc
Happy new year!
Kristian
Kristian, I like it, some nice stuff in there, in some spots it sounds like "what would Nils Landgren play if asked to provide the sound track to a blaxploitation film," but those were the parts I particularly liked.
http://www.youtube.com/watch?v=UKx9Cee0Btc
Happy new year!
Kristian
Kristian, I like it, some nice stuff in there, in some spots it sounds like "what would Nils Landgren play if asked to provide the sound track to a blaxploitation film," but those were the parts I particularly liked.
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Was doing some youtube searches for the bass trombone solos listed on Doug Yeo's website, and ran across this recording of the Christopher Brubeck concerto, played by a bass trombonist named Robert Mott.
http://www.youtube.com/watch?v=1Pl1PMED1Fo
Phenomenal sounding piece that I, personally, will never be able to play, but definitely fun, awe-inspiring, moving, musical, challenging, etcetcetc across its duration.
http://www.youtube.com/watch?v=1Pl1PMED1Fo
Phenomenal sounding piece that I, personally, will never be able to play, but definitely fun, awe-inspiring, moving, musical, challenging, etcetcetc across its duration.
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Quote from: John Beers Jr. on Dec 31, 2010, 10:55PMWas doing some youtube searches for the bass trombone solos listed on Doug Yeo's website, and ran across this recording of the Christopher Brubeck concerto, played by a bass trombonist named Robert Mott.
http://www.youtube.com/watch?v=1Pl1PMED1Fo
Phenomenal sounding piece that I, personally, will never be able to play, but definitely fun, awe-inspiring, moving, musical, challenging, etcetcetc across its duration.
Theres a recording of Chris Brubeck playing this himself (does anyone know what horn he plays on?) and its pretty cool. Good piece, just too many high notes for me
http://www.youtube.com/watch?v=1Pl1PMED1Fo
Phenomenal sounding piece that I, personally, will never be able to play, but definitely fun, awe-inspiring, moving, musical, challenging, etcetcetc across its duration.
Theres a recording of Chris Brubeck playing this himself (does anyone know what horn he plays on?) and its pretty cool. Good piece, just too many high notes for me
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Quote from: Paul Martin on Dec 30, 2010, 07:06AM
Kristian, I like it, some nice stuff in there, in some spots it sounds like "what would Nils Landgren play if asked to provide the sound track to a blaxploitation film," but those were the parts I particularly liked.
I´m glad you liked it Paul! And since I´m a fan of Blaxploition music and Nils Landgren was the first trombonist I heard as a kid, you´re right on the influences as well.
Kristian, I like it, some nice stuff in there, in some spots it sounds like "what would Nils Landgren play if asked to provide the sound track to a blaxploitation film," but those were the parts I particularly liked.
I´m glad you liked it Paul! And since I´m a fan of Blaxploition music and Nils Landgren was the first trombonist I heard as a kid, you´re right on the influences as well.

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Interesting Cello/Bassbone duet on Shostakovich Op. 34 #6:
http://www.youtube.com/watch?v=ncF5irf4o1w
http://www.youtube.com/watch?v=ncF5irf4o1w
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EDIT: never mind
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Nice clip of the one and only Roy Williams playing Old Folks
http://www.youtube.com/watch?v=9eBmyAVEojk&feature=related
Enjoy
BellEnd
http://www.youtube.com/watch?v=9eBmyAVEojk&feature=related
Enjoy
BellEnd
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Quote from: Bellend on Jan 17, 2011, 09:57AMNice clip of the one and only Roy Williams playing Old Folks
http://www.youtube.com/watch?v=9eBmyAVEojk&feature=related
Enjoy
BellEnd
Oh yes, I really enjoy
Thanks!!!
Leif
http://www.youtube.com/watch?v=9eBmyAVEojk&feature=related
Enjoy
BellEnd
Oh yes, I really enjoy

Leif
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Quote from: Bellend on Jan 17, 2011, 09:57AMNice clip of the one and only Roy Williams playing Old Folks
http://www.youtube.com/watch?v=9eBmyAVEojk&feature=related
Enjoy
BellEnd
My favourite trombone player of all time!
Forty five years after first hearing Roy, I am still trying to play something like the way he does it. And I haven't made it yet but I'm getting there.
I have probably said all this before on this forum but Roy was the reason I went on to pursue a career in engineering. I knew I could not complete with that talent, especially as we are the same age. The frustrating part is that he always sounded like that right from the beginning. 
In the sixties I followed the Alex Welsh band around with my mouth open and eyes agog. My band even played their intervals at Osterley jazz club - just to be in the presence of such great hot players and maybe to chat with them after the gig. I remember one time when my band was rehearsing at a pub in St Albans and we got an urgent call from the promoters of the local jazz club. They had a hall full of people and no band because the Alex Welsh band were delayed with fog. My own trumpet player was also lost in the fog and so I grabbed my old best mate, trumpet player Derek Winters who is still playing on the British jazz scene, and we did the first set until Alex and the boys arrived.
I should also tell you that the Alex Welsh band were a pretty wild crew! Oolya! Oolya! - four bar drum tag from Lennie.
You had to be there! Alex and Lennie no longer with us and forever missed by me.
Roy was in Australia recently with the Swedish Jazz Kings and I missed him because of business commitments. So sad not to have heard him live one more time, especially as I think he stayed at the same hotel we were at for our company meetings.
Roy Williams is true British jazz royalty. Just the best! And he lives in Luton, the same town as RHM.
http://www.youtube.com/watch?v=9eBmyAVEojk&feature=related
Enjoy
BellEnd
My favourite trombone player of all time!



In the sixties I followed the Alex Welsh band around with my mouth open and eyes agog. My band even played their intervals at Osterley jazz club - just to be in the presence of such great hot players and maybe to chat with them after the gig. I remember one time when my band was rehearsing at a pub in St Albans and we got an urgent call from the promoters of the local jazz club. They had a hall full of people and no band because the Alex Welsh band were delayed with fog. My own trumpet player was also lost in the fog and so I grabbed my old best mate, trumpet player Derek Winters who is still playing on the British jazz scene, and we did the first set until Alex and the boys arrived.
I should also tell you that the Alex Welsh band were a pretty wild crew! Oolya! Oolya! - four bar drum tag from Lennie.

Roy was in Australia recently with the Swedish Jazz Kings and I missed him because of business commitments. So sad not to have heard him live one more time, especially as I think he stayed at the same hotel we were at for our company meetings.
Roy Williams is true British jazz royalty. Just the best! And he lives in Luton, the same town as RHM.
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Our own Doug Elliott with the Four Freshmen:
http://www.youtube.com/watch?v=x3OPciYbA7c
A great concept, four tenors and five trombones!
http://www.youtube.com/watch?v=x3OPciYbA7c
A great concept, four tenors and five trombones!
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Here is another one of Roy Williams, my favourite trombone player, here with Humphrey Lyttelton. Love the three clarinets chorus also.
http://www.youtube.com/watch?v=DegpIJYEaOM&feature=related
And from the same time Hop Frog:
http://www.youtube.com/watch?v=M7_aK0H-YWw&feature=related
Note: No rhythm section! Sadly Humph, Bruce Turner and Mick Pyne are no longer with us. Roy and John are still going strong.
Quote from: ddickerson on Jan 19, 2011, 12:07PMOur own Doug Elliott with the Four Freshmen:
http://www.youtube.com/watch?v=x3OPciYbA7c
A great concept, four tenors and five trombones!
As it was with the original recordings. Here the newer guys doing a great dep for Frank Rosalino, Harry Betts, Milt Bernhart, Tommy Pederson and George Roberts. I never really dug 5 Trumpets, Five Saxes or Five Guitars.
http://www.youtube.com/watch?v=DegpIJYEaOM&feature=related
And from the same time Hop Frog:
http://www.youtube.com/watch?v=M7_aK0H-YWw&feature=related
Note: No rhythm section! Sadly Humph, Bruce Turner and Mick Pyne are no longer with us. Roy and John are still going strong.
Quote from: ddickerson on Jan 19, 2011, 12:07PMOur own Doug Elliott with the Four Freshmen:
http://www.youtube.com/watch?v=x3OPciYbA7c
A great concept, four tenors and five trombones!
As it was with the original recordings. Here the newer guys doing a great dep for Frank Rosalino, Harry Betts, Milt Bernhart, Tommy Pederson and George Roberts. I never really dug 5 Trumpets, Five Saxes or Five Guitars.
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Here's a little gem I've just come across for all you George Chisholm fans
http://www.youtube.com/watch?v=ze8aGV6NLrw
Nice bonus of Don Lusher at about 9.02 mins playing Stardust
There are five or six episodes of this show , definately worth a look.
Enjoy
BellEnd
http://www.youtube.com/watch?v=ze8aGV6NLrw
Nice bonus of Don Lusher at about 9.02 mins playing Stardust
There are five or six episodes of this show , definately worth a look.
Enjoy
BellEnd
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Quote from: Graham Martin on Jan 19, 2011, 09:59PMAs it was with the original recordings. Here the newer guys doing a great dep for Frank Rosalino, Harry Betts, Milt Bernhart, Tommy Pederson and George Roberts. I never really dug 5 Trumpets, Five Saxes or Five Guitars.
I was even less enamored with the "Four Freshmen and 5 Accordians" concept album.
I was even less enamored with the "Four Freshmen and 5 Accordians" concept album.
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Quote from: Bellend on Jan 20, 2011, 02:31AMHere's a little gem I've just come across for all you George Chisholm fans
http://www.youtube.com/watch?v=ze8aGV6NLrw
Nice bonus of Don Lusher at about 9.02 mins playing Stardust
There are five or six episodes of this show , definitely worth a look.
Enjoy
BellEnd
I was very disappointed to find that these videos will not play in Australia because they come from Scottish TV and are copyright. However, on the same page of YouTube, I did find some other great videos of "The Best Of British Jazz', which is a band of very well-known British jazz musicians. I posted the stand-up comedy section by Jack Parnell in Chit Chat and I am still laughing. I have not worked though all of them yet but here is one with Don Lusher playing "Everything Happens To Me"
http://www.youtube.com/watch?v=z6NSjdKXyiw&feature=related
http://www.youtube.com/watch?v=ze8aGV6NLrw
Nice bonus of Don Lusher at about 9.02 mins playing Stardust
There are five or six episodes of this show , definitely worth a look.
Enjoy
BellEnd
I was very disappointed to find that these videos will not play in Australia because they come from Scottish TV and are copyright. However, on the same page of YouTube, I did find some other great videos of "The Best Of British Jazz', which is a band of very well-known British jazz musicians. I posted the stand-up comedy section by Jack Parnell in Chit Chat and I am still laughing. I have not worked though all of them yet but here is one with Don Lusher playing "Everything Happens To Me"
http://www.youtube.com/watch?v=z6NSjdKXyiw&feature=related
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Nitzan Haroz, Schumann Romances.
Absolutely glorious (found via a group on facebook):
http://www.youtube.com/watch?v=mh51CIfBZAA&feature=email
Absolutely glorious (found via a group on facebook):
http://www.youtube.com/watch?v=mh51CIfBZAA&feature=email
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An old timer, for the choreographers and repair techs among us:
http://www.youtube.com/watch?v=bo_FZer13xw&feature=player_embedded
http://www.youtube.com/watch?v=bo_FZer13xw&feature=player_embedded
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Quote from: John Beers Jr. on Jan 21, 2011, 09:59AMNitzan Haroz, Schumann Romances.
Absolutely glorious (found via a group on facebook):
http://www.youtube.com/watch?v=mh51CIfBZAA&feature=email
Nice!
Absolutely glorious (found via a group on facebook):
http://www.youtube.com/watch?v=mh51CIfBZAA&feature=email
Nice!

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A different sort of style, Jack Teagarden, showing why he had a great reputation as a blues interpreter:
http://www.dailymotion.com/video/x6wwvm_tin-roof-blues-jack-teagarden-1950_music
http://www.dailymotion.com/video/x6wwvm_tin-roof-blues-jack-teagarden-1950_music
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Quote from: Paul Martin on Jan 22, 2011, 07:24AMA different sort of style, Jack Teagarden, showing why he had a great reputation as a blues interpreter:
http://www.dailymotion.com/video/x6wwvm_tin-roof-blues-jack-teagarden-1950_music
On his Williams, it looks and sounds like.
Holding the slide in hisown, individual way..between two fingers.
Holding the horn in an original manner, too. No slip sliding around with that grip!
And sounding magnificent. Not a note coming from anyplace but the heart. I am a lover of the jazz trombone in all of its styles by all of its great practitioners, but man...we've been talking about "music" vs. "technique" on another thread? Nobody but nobody ever played the horn in such a "Song and Wind", music first-based manner. Not in any idiom. He was an equipment freak all of his life...carried a damned lathe around on the road with him in order to tweak m'ces (!!!)...but I cannot remember him ever playing a single note or phrase that sounded like he was "thinking" about the horn or about the technical aspects of the harmony. It was music first w/him. 24/7.
Magnificent.
S.
http://www.dailymotion.com/video/x6wwvm_tin-roof-blues-jack-teagarden-1950_music
On his Williams, it looks and sounds like.
Holding the slide in hisown, individual way..between two fingers.
Holding the horn in an original manner, too. No slip sliding around with that grip!
And sounding magnificent. Not a note coming from anyplace but the heart. I am a lover of the jazz trombone in all of its styles by all of its great practitioners, but man...we've been talking about "music" vs. "technique" on another thread? Nobody but nobody ever played the horn in such a "Song and Wind", music first-based manner. Not in any idiom. He was an equipment freak all of his life...carried a damned lathe around on the road with him in order to tweak m'ces (!!!)...but I cannot remember him ever playing a single note or phrase that sounded like he was "thinking" about the horn or about the technical aspects of the harmony. It was music first w/him. 24/7.
Magnificent.
S.
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Here's another, as always, note the remarkable similarity between his singing and trombone playing:
http://www.youtube.com/watch?v=3lphP0MIavU
Also, note the fairly unusual harmonies for a band of that era that was not Duke Ellington's; what a beautiful, heart-felt effect!
http://www.youtube.com/watch?v=3lphP0MIavU
Also, note the fairly unusual harmonies for a band of that era that was not Duke Ellington's; what a beautiful, heart-felt effect!
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Quote from: Paul Martin on Jan 22, 2011, 09:44AMHere's another, as always, note the remarkable similarity between his singing and trombone playing:
http://www.youtube.com/watch?v=3lphP0MIavU
Playing from the heart is singing.
QuoteAlso, note the fairly unusual harmonies for a band of that era that was not Duke Ellington's; what a beautiful, heart-felt effect!
People have been lifting Duke's stuff for 80+ years now. With good reason. And often...as here...to good effect.
Thanks for this.
S.
http://www.youtube.com/watch?v=3lphP0MIavU
Playing from the heart is singing.
QuoteAlso, note the fairly unusual harmonies for a band of that era that was not Duke Ellington's; what a beautiful, heart-felt effect!
People have been lifting Duke's stuff for 80+ years now. With good reason. And often...as here...to good effect.
Thanks for this.
S.
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Jack Teagarden sang and played sooo effortlessly.Talk about the epitome of laidback.Beautiful singing and playing.
On the first link there is a Bobby Hacket cut on Butter 'n egg man.Does anyone know whether or not the other trombonist is Abe Lincoln.They did record together with Hackett.If so,talk about a trombone tandem!
Bob
On the first link there is a Bobby Hacket cut on Butter 'n egg man.Does anyone know whether or not the other trombonist is Abe Lincoln.They did record together with Hackett.If so,talk about a trombone tandem!
Bob
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Quote from: Bob Riddle on Jan 23, 2011, 08:10AMOn the first link there is a Bobby Hacket cut on Butter 'n egg man.Does anyone know whether or not the other trombonist is Abe Lincoln. They did record together with Hackett.If so,talk about a trombone tandem!
Bob
I was obviously not getting the same videos shown on my link but 'Yes' there is a video of a recording with Big 'T' and Abe playing "Big butter And Egg Man". This one from 1955:
http://www.dailymotion.com/video/x4z450_big-butter-and-egg-man-bobby-hacket_music
And also here on "New Orleans":
http://www.youtube.com/watch?v=aOcF3OSTFds
I have to tell you that it was you, Bob, that switched me on to Abe Lincoln a long time back and caused me to go digging through my record collection to hear more of him.
Back to Jack Teagarden: I also found this recording of a very scratchy "Mama's Gone Goodbye" from 1957. I think that Bobby Hackett and Jack Teagarden were perfect foils for one another. I long ago replaced my old LP of 'Jazz Ultimate', which I still have, with a CD. It was not the first Jack Teagarden recording I ever owned: But close! I remember I was still in my teens and it was the record of the month from the UK 'Jazz Record Club'.
http://www.youtube.com/watch?v=Bfs5v984sJE
Bob
I was obviously not getting the same videos shown on my link but 'Yes' there is a video of a recording with Big 'T' and Abe playing "Big butter And Egg Man". This one from 1955:
http://www.dailymotion.com/video/x4z450_big-butter-and-egg-man-bobby-hacket_music
And also here on "New Orleans":
http://www.youtube.com/watch?v=aOcF3OSTFds
I have to tell you that it was you, Bob, that switched me on to Abe Lincoln a long time back and caused me to go digging through my record collection to hear more of him.
Back to Jack Teagarden: I also found this recording of a very scratchy "Mama's Gone Goodbye" from 1957. I think that Bobby Hackett and Jack Teagarden were perfect foils for one another. I long ago replaced my old LP of 'Jazz Ultimate', which I still have, with a CD. It was not the first Jack Teagarden recording I ever owned: But close! I remember I was still in my teens and it was the record of the month from the UK 'Jazz Record Club'.
http://www.youtube.com/watch?v=Bfs5v984sJE
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Can't remember if I posted this here or not.. If so, well...okay.
It's one of my solo improvisations in a pavilion overlooking the intracoastal in Ft. Lauderdale. Chimay was consumed beforehand.
http://www.youtube.com/watch?v=vns5CiI-_5s
Enjoy!
Wes Funderburk
www.Funderbone.com
It's one of my solo improvisations in a pavilion overlooking the intracoastal in Ft. Lauderdale. Chimay was consumed beforehand.
http://www.youtube.com/watch?v=vns5CiI-_5s
Enjoy!
Wes Funderburk
www.Funderbone.com
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Wes- I think you might need to check your spitvalve cork/brace soldering, there was a weird sort of buzzing on the video from time to time when you played in the staff.


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Quote from: John Beers Jr. on Jan 25, 2011, 09:57AMWes- I think you might need to check your spitvalve cork/brace soldering, there was a weird sort of buzzing on the video from time to time when you played in the staff.

It's loose solder, requiring a complete rebuild by Oberloh, cryogenic treatment, and colon cleansing.

It's loose solder, requiring a complete rebuild by Oberloh, cryogenic treatment, and colon cleansing.
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Quote from: Paul Martin on Jan 25, 2011, 01:55PMIt's loose solder, requiring a complete rebuild by Oberloh, cryogenic treatment, and colon cleansing.
Mmmmm... That paint's a pretty picture. haha.
Wes Funderburk
www.Funderbone.com
Mmmmm... That paint's a pretty picture. haha.
Wes Funderburk
www.Funderbone.com
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Quote from: Wes Funderburk on Jan 25, 2011, 02:11PMMmmmm... That paint's a pretty picture. haha.
Wes Funderburk
www.Funderbone.com
The beauty part is you can pick out the order of the steps.
Wes Funderburk
www.Funderbone.com
The beauty part is you can pick out the order of the steps.
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Quote from: Paul Martin on Jan 25, 2011, 02:53PM
The beauty part is you can pick out the order of the steps.
Well... the order is obvious. Do everything in your power to avoid mistakenly getting the colon cleansing with the hot solder.
The beauty part is you can pick out the order of the steps.
Well... the order is obvious. Do everything in your power to avoid mistakenly getting the colon cleansing with the hot solder.
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Marshall Gilkes tearing it up in Germany........... http://www.youtube.com/watch?v=kb8xHGxE-_g&feature=player_embedded
Enjoy

Enjoy



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Here's me and Dr. Tom Gibson knockin' back some duets last year on his podcast:
http://www.youtube.com/watch?v=tzdrNgkHEYQ
It's an hour long.. Pace yourselves.
Wes Funderburk
www.Funderbone.com
http://www.youtube.com/watch?v=tzdrNgkHEYQ
It's an hour long.. Pace yourselves.
Wes Funderburk
www.Funderbone.com