Then added an beat up Holton 169 bass. Symphonic group needed bass player so shifted to mostly that and a little on the 42. When my son centered in on tuba (music ed major) he re-gifted the Holton TR180 I had got him back to me. Found more work with that than either the straight tenor or the 42. I love the bass range and the supporting and varied bass parts. Heck, I started working on BBb tuba some too (at least enough to play tuba Christmas with my son).
So bass work in symphonic band, pops orchestras and jazz groups, bass and 42 for straight orchestra depending on what is needed.
Keeps me on my toes staying up to snuff on both horns, and it's fun
