Regarding "opening chord", I wasn't thinking of any particularly well-known piece. But I recall playing in a small pit orchestra (winds and percussion) for incidental music to Aristophanes' "Lysistrata" by Don Wilson. The "opening chord" of the overture was supposed to be a "surprise": a very loud C in octaves. So we tuned before the audience came in. For the trombone to hit a loud C5 precisely, absolutely cold with no prior pitch cue is a bit challenging. So, a few seconds before the downbeat, I cheated and "ghosted" a silent C4 to get the octave in my head. That always worked.brassmedic wrote: ↑Wed Feb 26, 2025 10:36 pm On the subject of "it's not the very beginning of the piece but might as well be", the first note the trombone plays in Berg's Three Pieces is a high Eb.
And, yes, I was also thinking of Berg's "Three Pieces". Oddly, after a few rehearsals, although the preceding eight measures have no tonal centre, it's not hard to hear that Eb5 in your head. Nailing it smoothly at pp is then up to your chops.
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