I've played with a lot of big bands, and have played Intermission Riff countless times. But last Tuesday was the first time I'd played the bass bone part.
Think about that iconic bass bone Riff- low Ab down to trigger Db.
Should it be two hard almost stacatto attacks, or a hard attack on the Ab slurred down to the Db.
I've listened to a lot of old recordings and it's kinda split as to how it's done.
How have you played it, or how do you think it should be played?
Intermission Riff
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- BGuttman
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Re: Intermission Riff
Slur and land hard on the Db. Note that 2nd trombone doubles up an octave.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
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Re: Intermission Riff
Take it easy!
This is a very relaxed lightly swinging west coast chart. Just be clean and on time. Especially on time, on top of the beat. Be perfect with the string bass.
This is a very relaxed lightly swinging west coast chart. Just be clean and on time. Especially on time, on top of the beat. Be perfect with the string bass.
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Re: Intermission Riff
Suggest you find a recording of Stan Kenton playing it.
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Re: Intermission Riff
The Kenton Orchestra went through several versions of that tune, and the riff sometimes varied even in their charts. The big thing is to just make sure you agree in rhythm with whoever else has the bass line.
“All musicians are subconsciously mathematicians.”
- Thelonious Monk
- Thelonious Monk
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Re: Intermission Riff
I agree, and so my confusion! I've opted for a hard attack on the Ab with a slur down to the Db. And landing hard on the Db.The director likes it and the band likes it.AndrewMeronek wrote: ↑Sun Jan 12, 2020 11:41 am The Kenton Orchestra went through several versions of that tune, and the riff sometimes varied even in their charts. The big thing is to just make sure you agree in rhythm with whoever else has the bass line.