I have a B&S alto where the lines up out of tune. i think the cylindrical area is too long in relation to the conical area.


My B&S alto is from 1995. I can not find any alto on their current website, so i think it is not longer build.tbonesullivan wrote: ↑Fri Jul 10, 2020 8:25 pm Is it a current model B&S Alto? they are fairly well regarded, so I wouldn't think they would have intonation issues. Have you contacted them or someone familiar with trombone design?
Seems to be an easy solution. You have shortened the cylindrical area.harrisonreed wrote: ↑Sat Jul 11, 2020 2:12 am I did it by cutting the tuning slides. Mine is a 36H, so I don't really care about 7th position
No, it's not nearly that sharp, but I do usually play long on the slide anyways. This puts Db at the bell.heinzgries wrote: ↑Sat Jul 11, 2020 4:49 amSeems to be an easy solution. You have shortened the cylindrical area.harrisonreed wrote: ↑Sat Jul 11, 2020 2:12 am I did it by cutting the tuning slides. Mine is a 36H, so I don't really care about 7th position
But so, you must pull your slide a bit out to get the 1th position, right?
Is it so short, that the pitch is nearly in E ?
I try to do this with the pic below. Hope it helps.Crazy4Tbone86 wrote: ↑Sat Jul 11, 2020 8:29 am I can't figure out from your original post which pitch or pitches are out of tune. Please describe your pitch problems in words relative to alto clef. For example......the 1st position G at the top of the staff is sharp.
I use a Doug Elliot MT 99 C+ with a D alto S shank or a Klier 5 G with smaller shank. Both goes 1.06 inch into the leadpipe.BGuttman wrote: ↑Sun Jul 12, 2020 6:19 am Alternatively, it could be that there is a mismatch between your mouthpiece and the instrument. I found on my Conn 36H that the Conn 7C it came with had better consistency across the partials than anything else, including a Bach 7C. But I prefer the sound I get with my old Bach 4C so I humor the intonation issues.
Hello Doug,Doug Elliott wrote: ↑Sun Jul 12, 2020 10:58 am One more random thought - people laugh at AcoustiCoils, which are rolled-up plastic strips to be inserted in the tuning slide leg or other places (seems like a ridiculous idea) but that is a way to change the effective taper in an area like a tuning slide and try it in different places to see if it corrects anything.
Thanks Bruce,
I already play an alto S shank from you. It goes deep enough into the leadpipe (1.06 inch)Doug Elliott wrote: ↑Sun Jul 12, 2020 2:20 pm Try it in different places. Make a wire hook so you can pull it back out. I think the larger side would be more likely to have an effect.
I can make you a shorter shank to try. I'll be making shanks in a few days.
But you're trying to correct a problem. It's relatively easy for me to make special shanks - I would try about 10mm shorter, and make it go into the leadpipe the same distance.heinzgries wrote: ↑Sun Jul 12, 2020 3:09 pmI already play an alto S shank from you. It goes deep enough into the leadpipe (1.06 inch)Doug Elliott wrote: ↑Sun Jul 12, 2020 2:20 pm I can make you a shorter shank to try. I'll be making shanks in a few days.
Are you already playing with he tuning slide pushed in all the way? If not, you should start doing that. Or, at the very least, time your horn so that Db is in tune with the edge of the bell. Then your note will no longer be flat across the board.heinzgries wrote: ↑Sun Jul 12, 2020 3:12 amI try to do this with the pic below. Hope it helps.Crazy4Tbone86 wrote: ↑Sat Jul 11, 2020 8:29 am I can't figure out from your original post which pitch or pitches are out of tune. Please describe your pitch problems in words relative to alto clef. For example......the 1st position G at the top of the staff is sharp.
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