Arban's Chromatic Scale Section
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Arban's Chromatic Scale Section
In the Arban's for trombone, in the second chromatic scale, it says to play the B natural 3 in b2? Is that lipping up or on a F attachment trombone?
Thom
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Re: Arban's Chromatic Scale Section
I don't know what "B natural 3" is, but if it's the second line in the staff B, then with an F trigger it's played in a flat second.
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Re: Arban's Chromatic Scale Section
Number 2 in the chromatic scales section (page 80 in Randall/Mantia; page 88 in Alessi/Bowman) does not have that B natural; it has the one at the top of the bass clef staff. Technically, you could also play that one in flat second. But no one ever does.
Neither of those editions has a b2 marking.
There is no "lipping up" anywhere in any Arban's.
Neither of those editions has a b2 marking.
There is no "lipping up" anywhere in any Arban's.
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Re: Arban's Chromatic Scale Section
Here is a photo of what I am talking about.
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Thom
Yamaha YEP-321 Euphonium
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Yamaha YEP-321 Euphonium
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Re: Arban's Chromatic Scale Section
That's intended for an F attachment. Just play it in 7th; the only way you can.
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Re: Arban's Chromatic Scale Section
Thanks. I meant B2, I think, not B3?AtomicClock wrote: ↑Sat Dec 14, 2024 3:20 pm That's intended for an F attachment. Just play it in 7th; the only way you can.
Thom
Yamaha YEP-321 Euphonium
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- BGuttman
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Re: Arban's Chromatic Scale Section
Yes, that note is B2. The number changes with C.Thom wrote: ↑Sat Dec 14, 2024 3:25 pmThanks. I meant B2, I think, not B3?AtomicClock wrote: ↑Sat Dec 14, 2024 3:20 pm That's intended for an F attachment. Just play it in 7th; the only way you can.






Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
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Re: Arban's Chromatic Scale Section
Which Arban's are you using? Your #2 is my #1. Your #3 is (probably) my #4.
Just curious.
Just curious.
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Re: Arban's Chromatic Scale Section
This one.
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Thom
Yamaha YEP-321 Euphonium
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Re: Arban's Chromatic Scale Section
BTW, Alan Raph was a first call studio bass trombonist, trombonist, and tubist, in New York City until 2023. His father, Ted Raph, was a New Orleans Jazz, ( What used to be called Dixieland Jazz.), trombonist in the 1920's and 1930's.
Thom
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Re: Arban's Chromatic Scale Section
I guess I now need to specify the edition differently. Randall/Mantia/(but not Raph) is different from Randall/Mantia/Raph.
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Re: Arban's Chromatic Scale Section
Like dbwhitaker said, the v stands for valve. That note is played in flat or extended 2 with the valve.
If you have a valve it is useful to also be able to play a chromatic scale without using it.
The f-attachement is a great tool but it can become a crutch. Young players often can't accurately place their slides in 6th or 7th positions because they over rely on the valve.
If you have a valve it is useful to also be able to play a chromatic scale without using it.
The f-attachement is a great tool but it can become a crutch. Young players often can't accurately place their slides in 6th or 7th positions because they over rely on the valve.
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Re: Arban's Chromatic Scale Section
I believe that is rightAtomicClock wrote: ↑Sun Dec 15, 2024 8:58 am I guess I now need to specify the edition differently. Randall/Mantia/(but not Raph) is different from Randall/Mantia/Raph.
Thom
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Re: Arban's Chromatic Scale Section
I played bass bone as a tuba player in HS, US Army Bands, Jr. College/College Bands, and Community Jazz Bands for many years. I started playing bass bone on a large bore tenor Olds with F attachment, later my folks got me the dependent Yamaha YBB-622R I think that is the correct model number, though I am not sure, it was a long time agochouston3 wrote: ↑Sun Dec 15, 2024 9:07 am Like dbwhitaker said, the v stands for valve. That note is played in flat or extended 2 with the valve.
If you have a valve it is useful to also be able to play a chromatic scale without using it.
The f-attachement is a great tool but it can become a crutch. Young players often can't accurately place their slides in 6th or 7th positions because they over rely on the valve.
Thom
Yamaha YEP-321 Euphonium
6-1/2 AL mouthpiece
Yamaha YEP-321 Euphonium
6-1/2 AL mouthpiece