Changed Bell from Gold Brass to Yellow Brass

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walldaja
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Changed Bell from Gold Brass to Yellow Brass

Post by walldaja »

I bought a Shires Q30GR a few years ago. I think I bought it for the "colors" of the components instead of what it did for me. Recently we're getting ready for a concert and a lot of the pieces have double and triple tonguing in them--probably more than we've done for the previous four year's worth of concerts collectively.

It was proving to be quite a challenge for me to tongue as clearly as I wanted. Then I stumbled on a Shires Q yellow brass bell on line that had a good price (for me). I bought it and put it on.

Oh, my goodness. Tonguing has sharpened up, feel (hear) like I can play louder. In hindsight, wish I would have bought the yellow first. I tried one when I bought my Q but my eyes kept coming back to the gold brass.

Yellow brass on the horn now.
Dave

2020ish? Shires Q30GR with 2CL
1982 King 607F with 13CL
Yamaha 421G Bass with Christian Lindberg 2CL / Bach 1 1/2G
Bach Soloist with 13CL
1967 Olds Ambassador with 10CL
1957 Besson 10-10
Jean Baptiste EUPCOMS with Stork 4
WGWTR180
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Re: Changed Bell from Gold Brass to Yellow Brass

Post by WGWTR180 »

Always trade offs. Yellow brass tends to lean towards cleaner attacks while gold or red bells tend to have more warmth with slightly less clear attacks(generally). However double and triple tounging can be executed clearly on bells other than yellow.
bbocaner
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Re: Changed Bell from Gold Brass to Yellow Brass

Post by bbocaner »

I've always felt that gold brass got all the worst characteristics of yellow and red rather than combining the best characteristics of each. It's my least favorite.
JTeagarden
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Re: Changed Bell from Gold Brass to Yellow Brass

Post by JTeagarden »

The trombone professor at my university (40 years ago!) had a default horn he recommended: Bach 42B with a gold-brass bell and a lightweight slide, I think he singlehandedly kept Giardinelli's doors open for years!

It never occured to me to ask why this was his "go-to" setup, but at a time when we were learning how to play, and a lot of us not quite sure what our strengths and weaknesses were, it seemed to work OK.
tbonesullivan
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Re: Changed Bell from Gold Brass to Yellow Brass

Post by tbonesullivan »

JTeagarden wrote: Thu Feb 27, 2025 9:47 am The trombone professor at my university (40 years ago!) had a default horn he recommended: Bach 42B with a gold-brass bell and a lightweight slide, I think he singlehandedly kept Giardinelli's doors open for years!

It never occured to me to ask why this was his "go-to" setup, but at a time when we were learning how to play, and a lot of us not quite sure what our strengths and weaknesses were, it seemed to work OK.
That IS a very popular combination for trombones. I've seen a lot of Bach 36s in that configuration, and my Yamaha Bass has a nickel slide, brass valve section and tuning slide, and red brass bell.
David S. - daveyboy37 from TTF
Bach 39, LT36B, 42BOF & 42T, King 2103 / 3b, Kanstul 1570CR & 1588CR, Yamaha YBL-612 RII, YBL-822G & YBL-830, Sterling 1056GHS Euphonium,
Livingston Symphony Orchestra NJ - Trombone
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harrisonreed
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Re: Changed Bell from Gold Brass to Yellow Brass

Post by harrisonreed »

Was the only difference in the bell the material? Or were other factors different too?
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BGuttman
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Re: Changed Bell from Gold Brass to Yellow Brass

Post by BGuttman »

Bach bells were made to the same specs regardless of material. Of course there were the manufacturing variations, so you really had to try a few in order to find "the" one.

The most common pairings were yellow bell with yellow slide with oversleeves, and gold bell with lightweight slide (nickel tubes with no oversleeves).
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
JTeagarden
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Re: Changed Bell from Gold Brass to Yellow Brass

Post by JTeagarden »

BGuttman wrote: Thu Feb 27, 2025 11:13 am Bach bells were made to the same specs regardless of material. Of course there were the manufacturing variations, so you really had to try a few in order to find "the" one.

The most common pairings were yellow bell with yellow slide with oversleeves, and gold bell with lightweight slide (nickel tubes with no oversleeves).
I thought at least at one point the smaller Bach bells used to be spun on different mandrels, thus the use of Roman numerals after the model number to denote which mandrel the horn came off of (e.g., a New York Bach 6V), I assume this meant slightly different specs as well?
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BGuttman
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Re: Changed Bell from Gold Brass to Yellow Brass

Post by BGuttman »

JTeagarden wrote: Thu Feb 27, 2025 12:02 pm ...

I thought at least at one point the smaller Bach bells used to be spun on different mandrels, thus the use of Roman numerals after the model number to denote which mandrel the horn came off of (e.g., a New York Bach 6V), I assume this meant slightly different specs as well?
Yes, but the different mandrels were used for all metals. Besides, most of the Bach 6's I've seen were all yellow bells.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
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harrisonreed
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Re: Changed Bell from Gold Brass to Yellow Brass

Post by harrisonreed »

The Shires Q30 isn't a Bach though :???:

Lots of bells fit on that frame.
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BigBadandBass
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Re: Changed Bell from Gold Brass to Yellow Brass

Post by BigBadandBass »

I’m gonna assume since you’re saying Q bells you’re just swapping a Q30GR bell for a Q30YR. Which specs wise according to the site are similar. Personally I’ve always been a fan of lots of yellow on the horn with a little gold and little nickel.
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