The sound and play of slide width?
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The sound and play of slide width?
A wider slide vs a narrow slide.
How do they play different?
How do they sound different?
How do they play different?
How do they sound different?
Edwards Sterling bell 525/547
Edwards brass bell 547/562
Edwards Jazz w/ Ab valve 500"/.508"
Markus Leuchter Alto Trombone
Bass Bach 50 Bb/F/C dependent.
Cerveny oval euphonium
Full list in profile
Edwards brass bell 547/562
Edwards Jazz w/ Ab valve 500"/.508"
Markus Leuchter Alto Trombone
Bass Bach 50 Bb/F/C dependent.
Cerveny oval euphonium
Full list in profile
- BGuttman
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Re: The sound and play of slide width?
A wider or narrower slide per se doesn't really do much. But if you have a large neck a narrow slide can force you to put the mouthpiece in a sub-optimal location on your lips. That will affect your playing and you can do that with a wide or a narrow slide.
There are so many factors that affect the response of a particular trombone that slide width is almost impossible to separate out.
Not to metion that there is a very strong placebo effect and if you think one or another will work for you, it will.
There are so many factors that affect the response of a particular trombone that slide width is almost impossible to separate out.
Not to metion that there is a very strong placebo effect and if you think one or another will work for you, it will.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
- hyperbolica
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Re: The sound and play of slide width?
I had a 10h and converted the slide to wide crook. The sound went from your average 10h/6h sound to something a bit fatter, broader. It was like bouncing the bore up a notch. Plus, it was just way more comfortable to play. I kept the crook material the same (nickel silver).
The crook was designed for 509, but I was using it on 500 bore. It worked very well.
The crook was designed for 509, but I was using it on 500 bore. It worked very well.
- LeTromboniste
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Re: The sound and play of slide width?
But so the bore of the crook was also bigger, which could account for the entire change in feel and sound.hyperbolica wrote: ↑Wed Jul 31, 2019 7:41 am I had a 10h and converted the slide to wide crook. The sound went from your average 10h/6h sound to something a bit fatter, broader. It was like bouncing the bore up a notch. Plus, it was just way more comfortable to play. I kept the crook material the same (nickel silver).
The crook was designed for 509, but I was using it on 500 bore. It worked very well.
On a certain scale, a small bend radius increases the effective bore, however (I could be wrong) I don't think a slide bow is a sharp enough bend where it would really have an effect, and between a narrow and a wide slide the difference in the bend radius is not much.
Maximilien Brisson
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
www.maximilienbrisson.com
Lecturer for baroque trombone,
Hfk Bremen/University of the Arts Bremen
- BGuttman
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Re: The sound and play of slide width?
Add to that the difference of a single radius versus a dual radius. King is the classic single radius and Bach is the classic dual radius.LeTromboniste wrote: ↑Wed Jul 31, 2019 7:49 am ...
On a certain scale, a small bend radius increases the effective bore, however (I could be wrong) I don't think a slide bow is a sharp enough bend where it would really have an effect, and between a narrow and a wide slide the difference in the bend radius is not much.
Bruce Guttman
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
Merrimack Valley Philharmonic Orchestra
"Almost Professional"
- bellend
- Posts: 216
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Re: The sound and play of slide width?
During my time at Rath's we tried various different radius shapes and it definitely makes a difference.
The trouble is .... EVERYTHING makes a difference!!!!
Having fitted wide slide bows to a couple of horns King 2B+ / Conn 100H I think it is important to try and maintain the same I.D. as the original otherwise the resistance changes and usually not in a good way. Intonation can go a bit out of whack with the addition of just a small bit of extra tubing in the crook but it can be done.
As I mentioned in the sister post to this one I currently play a Besson 940 which as far as I know is the only small bore horn to come out of any factory with a wider slide crook as standard. A a consequence it doesn't suffer any of the aforementioned issues.
FWIW
BellEnd
The trouble is .... EVERYTHING makes a difference!!!!
Having fitted wide slide bows to a couple of horns King 2B+ / Conn 100H I think it is important to try and maintain the same I.D. as the original otherwise the resistance changes and usually not in a good way. Intonation can go a bit out of whack with the addition of just a small bit of extra tubing in the crook but it can be done.
As I mentioned in the sister post to this one I currently play a Besson 940 which as far as I know is the only small bore horn to come out of any factory with a wider slide crook as standard. A a consequence it doesn't suffer any of the aforementioned issues.
FWIW
BellEnd
- TheBoneRanger
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Re: The sound and play of slide width?
Exactly.
I had one of the wide glide crooks installed on my 16m. Other than the difference in width, the bore size is also a little bigger than the somewhat undersized one usually found on the 16m.
Again, it's hard to tell exactly what the effect is, because the slide was completely rebuilt, of course, to fit the crook, which will have an effect. I also had the stock, short leadpipe pulled in favour of much more efficient Shires pipes. To compensate for the extra width, I had the some length trimmed from the tuning slide end of the horn.
So, one "simple swap" becomes quite a series of changes very quickly.
I think the best chance you have of answering this question is to get a couple of Shires slides. Their T47 and TW47 differ only in width.
Andrew
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Re: The sound and play of slide width?
I have played a narrow and wide slide on the same Yamaha 882go bell section and prefer the wide. I have a larger neck and the narrow slide forces me to hold the trombone in an uncomfortable way in order to get the correct angle to the horn. The wide slide alleviates this problem. The wide slide also has the advantage of a meatier low register and I believe broader sound.
Really, the only way to tell for yourself is to simply try both, which is frequently easier said than done, but truly the only way.
Really, the only way to tell for yourself is to simply try both, which is frequently easier said than done, but truly the only way.
- bellend
- Posts: 216
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Re: The sound and play of slide width?
You have to be aware that when a lot of manufacturers offer a wider crook option on large bore horns this quite often also means a jump in bore size.norbie2018 wrote: ↑Thu Aug 01, 2019 6:03 am I have played a narrow and wide slide on the same Yamaha 882go bell section and prefer the wide. I have a larger neck and the narrow slide forces me to hold the trombone in an uncomfortable way in order to get the correct angle to the horn. The wide slide alleviates this problem. The wide slide also has the advantage of a meatier low register and I believe broader sound.
Really, the only way to tell for yourself is to simply try both, which is frequently easier said than done, but truly the only way.
I think this all harks back to the Bach 42 which I believe uses the crook off a 50B bass trombone ( I'm sure someone will correct me if I'm wrong) . So when people say "Oh a wide crook plays differently" it's not really surprising if the bore size has also increased, If it was wider with the same bore I think the contrast would be less marked.
BellEnd
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Re: The sound and play of slide width?
Yes, bore matters. I didn't switch to a tenor wide end crook, but a bass end crook similar to what you'd find in a Bach 42. Interestingly, when I was fit for a trombone at Edwards we ruled out a wide slide with a tenor crook in favor of the bass end crook fairly early in the process. Better response and sound - for me.bellend wrote: ↑Thu Aug 01, 2019 10:56 amYou have to be aware that when a lot of manufacturers offer a wider crook option on large bore horns this quite often also means a jump in bore size.norbie2018 wrote: ↑Thu Aug 01, 2019 6:03 am I have played a narrow and wide slide on the same Yamaha 882go bell section and prefer the wide. I have a larger neck and the narrow slide forces me to hold the trombone in an uncomfortable way in order to get the correct angle to the horn. The wide slide alleviates this problem. The wide slide also has the advantage of a meatier low register and I believe broader sound.
Really, the only way to tell for yourself is to simply try both, which is frequently easier said than done, but truly the only way.
I think this all harks back to the Bach 42 which I believe uses the crook off a 50B bass trombone ( I'm sure someone will correct me if I'm wrong) . So when people say "Oh a wide crook plays differently" it's not really surprising if the bore size has also increased, If it was wider with the same bore I think the contrast would be less marked.
BellEnd